In this interview, Cornelius Castoriadis explains and develops many of the central themes in his later writings on politics and social criticism. In particular, he poignantly articulates his critique of contemporary pseudo-democracy, while advocating a form of democracy founded on collective education and self-government. He also explores how the “insignificance” in the current political arena relates to insignificance in other areas, such as the arts and philosophy, to form the core feature of our Zeitgeist….
Bourgeois convention is demolished in Luis Buñuel’s surrealist gem The Phantom of Liberty. Featuring an elegant soiree with guests seated at toilet bowls, poker-playing monks using religious medals as chips, and police officers looking for a missing girl who is right under their noses, this perverse, playfully absurd comedy of non sequiturs deftly compiles many of the themes that preoccupied Buñuel throughout his career—from the hypocrisy of conventional morality to
The Wake Up Call” is a short documentary on the politicized street art that has emerged in Athens during the course of the Greek economic crisis. It follows four Greek street artists (Paul, MaPet, Absent & Bleeps) in their attempt to leave an imprint on the urban landscape of Athens. Politics, satire and colours are merged together to create an outdoor manifestation of ideas, far from the dominant ideology.
In May 2011, hundreds of thousands of Greeks swarmed into Syntagma Square. In a matter of days, a protest camp was set up – organized on the principles of direct democracy, leaderless self-management and mutual aid – providing a glimpse of utopia in the midst of a devastating financial, political and social crisis. On June 28-29, during a Parliamentary vote on further austerity measures, the state finally responded with brutal force, eventually evicting the protesters from the square and crushing the radical potential of their social experiment.
Preface. STARTING FROM SCRATCH The long dark night of trade is all the illumination our inhuman history has ever known. It will lift as life dawns. Death stares at our passions and we mute them; we mesh our desires with what is inimical to life; and we base the greater part o f existence on the bloody search for profit and power. We have been doing it for centuries and
Is the child to be considered as an individuality, or as an object to be moulded according to the whims and fancies of those about it? This seems to me to be the most important question to be answered by parents and educators. And whether the child is to grow from within, whether all that craves expression will be permitted to come forth toward the light of day; or whether it is to be kneaded like dough through external forces, depends upon the proper answer to this vital question.
The Necessity of Atheism and Other Essays by Percy Shelley includes five anti-religious tracts, three of which are presented below: “The Necessity of Atheism” (which resulted in the youthful Shelley’s expulsion from Oxford in 1811), “On Life,” and “On a Future State. Shelley argues that the divine attributes of God are merely projections of human powers; life everlasting cannot be empirically demonstrated, for it runs counter to all the evidence for mortality given by the natural world, which is the only world we know.
TRUE!–nervous –very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses –not destroyed –not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily –how calmly I can tell