Since Darwin’s day, we’ve been told that sexual monogamy comes naturally to our species. Mainstream science—as well as religious and cultural institutions—has maintained that men and women evolved in families in which a man’s possessions and protection were exchanged for a woman’s fertility and fidelity. But this narrative is collapsing. Fewer and fewer couples are getting married, and divorce rates keep climbing as adultery and flagging libido drag down even seemingly solid marriages.
This expertly chosen collection features the most important writings from the turbulent last four years of Emma Goldman’s life. Vision on Fire is the perfect complement to her celebrated autobiography, Living My Life, and for those readers inspired by her powerful collection, Anarchism and Other Essays. David Porter reveals Goldman’s struggles with the contradictions of the Spanish Revolution and her efforts to maintain integrity and vision in the heat of political activism. Contemporary readers will find Vision on Fire a high-caliber history book as well as an honest depiction of the complex world of libertarian revolution.
Anarchy Comics was a series of underground comic books published by Last Gasp between 1978 and 1987, as part of the underground comix subculture of the era. Each issue of Anarchy Comics showcased an international cast of artists who identified as anarchists, or non-sectarian socialists. An example of this is Spain Rodriguez, a Marxist, who was considered of “sufficient libertarian bent” to be included. Contributors including Rodriguez, Gilbert Shelton, Jay Kinney and Paul Mavrides were distinct for “adding new dimensions to the political comic” in the underground comix press of the 1970s and 80s.
Sam Dolgoff’s book offering a critical account of the Cuban Revolution of 1959 from anarchist perspective. His analysis of the Cuban Revolution, its development and significance, presents an historical perspective on Cuba that arrives at new insights into social and political change.
Yes, it is possible to understand the fascination that many people, particularly the young, have with the man. But understanding a phenomenon is one thing, whether it presents a true picture of reality is another. For this, we must look behind the mystique.
Decolonizing Anarchism looks at the history of South Asian struggles against colonialism and neocolonialism, highlighting lesser-known dissidents as well as iconic figures. This approach reveals an alternate narrative of decolonization, in which achieving a nation-state is not the objective. Maia Ramnath also studies the anarchist vision of alternate society, which closely echoes the concept of total decolonization on the political, economic, social, cultural, and psychological planes. This facilitates not only a reinterpretation of the history of anticolonialism, but insight into the meaning of anarchism itself. Maia Ramnath teaches at New York University and is a board member of the Institute for Anarchist Studies.
Peter Kropotkin is by far anarchism’s most influential theorist, and Direct Struggle Against Capital is the most extensive collection of his writings available in English. Over half the selections have been translated for the first time or recovered from long-out-of-print pamphlets and newspapers. The result is a volume that provides an introduction to classic texts, while showing new facets of a familiar and canonical figure. Direct Struggle Against Capital paints a detailed portrait of Kropotkin the revolutionary, the man Emma Goldman described as someone for whom anarchism “was not an ideal for the select few. It was a constructive social theory, destined to usher in a new world for all of mankind.”
Sasha and Emma is the story of one life-long relationship and the product of another. When the historian of Russian and American anarchism Paul Avrich died in 2006, he left behind a rich body of scholarly work (1) and an unfinished manuscript exploring ‘the passionate half-century friendship between legendary activist Emma Goldman and Alexander Berkman’ (p. ix). In the days before his death, his daughter Karen Avrich agreed to complete his project, revising the early manuscript and conducting additional archival research to augment the rich material gathered by her father
Colin Ward (1924-2010) was an architect and one of the leading figures of the UK anarchist movement; he wrote extensively on the welfare system and the social history of Britain, and in particular on issues of housing and planning. From 1947-1960 he was the editor of the anarchist newspaper, Freedom, and from 1961-1970 the editor of the journal Anarchy, gathering round him a group of writers and thinkers who would go on to be influential in their own right. Ward theorised a ‘pragmatist anarchism’ that looked towards removing authoritarian forms of organisation and governance in favour of informal and self-organised mechanisms based on non-hierarchical structures.